Support the Hunter

At no time has supporting the Hunter Museum been more crucial than it is today as we cope with the significant impact of COVID-19. Donate now to support everything you love about the Hunter Museum.

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UPCOMING & CURRENT EXHIBITIONS

Under Construction: Collage from the Mint Museum

January 29, 2021 through April 18, 2021

LEARN MORE

Ashley V. Blalock: Bridging the Hunter

January 8, 2021 through July 11, 2022

Learn more

Baggs McKelvey: Indigo

Through February 28, 2022

Learn more

Depicting the Invisible

August 20, 2020 through December 6, 2021

Learn more

VIRTUAL HUNTER

Visit us in person or enjoy #VirtualHunter online, any time.

Create and Play

Enjoy art activities, puzzles, coloring pages, and Zoom backgrounds inspired by art from the collection.

Make something

Explore

Get art smart with articles, videos, Art Wise lectures, and explore the Hunter’s permanent collection.

Find something new

Experience

Watch art demos, performances, and Art + Issues community-led discussions.

Watch Now

Standing in Solidarity

We are standing with Black Lives Matter and the fight for equality and justice.

EXPLORE BLACK ARTISTS

FOLLOW US ON Instagram

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See art with new eyes and learn what it means to be an American in the 21st century.
Chattanooga, TN est. 1952.
#huntermuseum

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In the 1980s, artist Sam Gilliam departed from the traditional rectangular form. He began notching the corners and rounding the edges of his compositions. This large artwork is layered with different colors, textures and shapes. Although Gilliam started "Composition in Violet" in 1982, it wasn't finished until twenty-some years later. While working on an installation at The Mint Museum in 2004, he added the small panel in the lower right corner.

Photos don't do this piece justice, so make plans to see it in person before April 18!

Sam Gilliam (American, b. 1933), “Composition Around Violet, 1982-2004. Mixed media. The Mint Museum, Charlotte, NC. Gift of Charles Gorsey in memory of Edith Gorsey, 2002.38

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Next week: hear Radcliffe Bailey speak about his art, his process, and answer your questions. Bailey is known for his mixed media work exploring African American heritage and life in the American South. Register for the virtual Art Wise next Thursday at 6pm in our bio.

© Photo by LaMont Hamilton.

Radcliffe Bailey (b. 1968). “In the Returnal,” 2007, photograph, acrylic, plant material, wax, Georgia red clay, glitter, oil stick on wood. Museum purchase.

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The Hunter Museum is closing early at 5 pm today due to inclement weather. Stay safe!

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“For the pieces I make, the gesture is really more within the body, it’s like an internalized gesture, which is more about the content, the state of mind or of being at a given instant."

Artist Deborah Butterfield's sculptures appear to be made of driftwood or other scrap materials. In reality, they are bronze sculptures with a patina that resembles wood. The horse sculptures seem to reflect a sense of grace and movement.

Deborah Butterfield (b. 1949), “Boreal,” 2001, cast bronze with patina. Museum purchase. 2002.5
#WomensHistoryMonth #5WomenArtists

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Register for summer art camp at the Hunter today! Spots are filling up fast. Visit our website to learn more, or click the link in our bio.

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Which Tennessee Arts Commission license plate is your favorite? Let us know in the comments!

Every purchase of an Arts plate supports the arts in Tennessee! #TNArtsCommission

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Marina Zurkow’s “Mesocosm” is an animated landscape that changes according to an underlying algorithm. Playing in a long, looping cycle, this work is a recreation of New York City’s Times Square. Each 12-minute cycle represents a minute of virtual time and a year in this on-screen world takes 73 hours. Each cycle is different from the last based on the code, much like each day is different from the last in reality.

To create “Mesocosm,” Zurkow used images from Google Street View and photographs. She also researched what the city looked like before colonization when it had rolling meadows, forests, and streams.

Marina Zurkow (b. 1962), “Mesocosm (Times Square),” 2014. Custom software-driven hand drawn animation (color, sound), computer, edition 2/5, 2 AP. Museum purchase, 2019.20

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What would you title this collage?

Artist Eva Pennink began her career as a noted model and fashion photographer. But later in life, she turned to collage as her primary form of creative expression. She cheekily used sources from both art history and contemporary culture, and the results are both thought provoking and humorous. Pennink left this piece untitled. What would you call it?

"Under Construction: Collage from The Mint Museum" is on view through April 18.

Eva Pennink (Dutch, 1911–2008). “Untitled (Figures and Record Player),” unknown date. Paper Collage. The Mint Museum, Charlotte, NC, Anonymous Donor. 1980.242.2

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You’re invited to a virtual evening with artist Iruka Maria Toro, painter of “The Invisible Life of Small Things.” Tune in via Zoom next Monday to hear about her current projects and creative process. Register for free in bio.

Iruka Maria Toro (b. 1983), The Invisible Life of Small Things, (detail), 2011, acrylic paint. Museum Purchase: Funds provided by an Anonymous Donor. 2013.56. Collection of The Mint Museum, Charlotte, NC. © Iruka Maria Toro (from Under Construction: Collage from The Mint Museum on view through April 18, 2021)

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Maria Sol Escobar (aka Marisol) was born to Venezuelan parents in Paris, France. Her family immigrated to the U.S. when she was a child. Marisol was mainly a sculptor and her art questioned the prescribed social roles and restraints women face.

In Pop art, a woman's role was often depicted as either mother or seductress. Female perspectives were rarely presented. But in this print, Marisol offers an alternative vision. Lucretia Mott and Elizabeth Cady Stanton were two of the early leaders in the women’s rights, abolitionist, and social reform movements. Here, they take center stage on their own, without tones of motherhood or sensuality.

This print is now on view in the Hunter mansion.

Marisol Escobar (1930-2016). “Women’s Equality” (from the Kent Bicentennial Portfolio: Spirit of Independence), 1975. Lithograph, 20/125. Gift of the Lorillard Company. 1976.27

#WomensHistoryMonth #5WomenArtists #WomensDay2021

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Kristina Rogers’ works are hauntingly poetic. Often dark and mysterious, they include layered photographs and personal objects. Despite their biographical touch, they highlight universal themes as well. Think of family ties, the passage of time, and the tension between the manmade and natural worlds.

When you look at these collages, what stories come to your mind? What photographs would you include in a collage like these?

Kristina Rogers (American, 1945–2011).

Untitled, unknown date. Collage. The Mint Museum, Charlotte, NC. Gift of the Artist, 2011.41.88.

Untitled, unknown date. Collaged photographs. The Mint Museum, Charlotte, NC. Gift of the Artist, 2011.41.14

Untitled, 2010. Mixed media and photographic collage. The Mint Museum, Charlotte, NC. Gift of the Artist, 2011.41.8

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Get your stretch on this Sunday at Artful Yoga! Instructor Madison Myers will lead the practice accompanied by live music from local band Sunsap.

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Artist Carol Prusa creates her drawings using an old technique called silverpoint. Often used during the Gothic and Renaissance eras, this method uses a metal point or silver rod to create the drawing on a prepared surface. Mistakes can't be fixed, so the artist has to have a steady hand. Each piece takes upwards of 700 hours.

Prusa’s drawings reference the cosmos, scientific illustration, grids, cartography, weather patterns, and biological and organic shapes.

Carol Prusa (b. 1956). “Pentacle,” 2010. Silverpoint, graphite, titanium white pigment with acrylic binder on acrylic hemisphere with lens, iPod with video. Museum purchase with contributions from Spectrum 2014. 2013.11

#WomensHistoryMonth #5WomenArtists

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Why does art matter to you? We’d love to hear your thoughts. (There’s something in it for you, too!)

We’re excited to participate in a national survey of museum-goers, sponsored by the American Alliance of Museums. The data from this survey will help us to be more effective serving our community.

It takes about 9 minutes to complete, and as a thank you, you can enter to win one of four $100 Amazon gift cards.

Visit the link in our bio to get started!

Photo by @davidbjeffers

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Carrie Mae Weems titled this piece, "Not Manet’s Type." Her mention of Edouard Manet, a French artist, brings the artwork "Olympia" to mind. In "Olympia," as in many historic artworks, an African woman is given a subservient role.
But in "Not Manet's Type," Weems adopts a traditional pose and makes herself the subject. Her thoughtful work explores how images shape our perceptions of gender, race, and class.

Click our bio link to see a picture of “Olympia.”

Carrie Mae Weems (b. 1953), “Not Manet’s Type,” 2001. Photolithograph 17/40. Museum purchase. 2003.1

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Getting married or hosting an event?

The Hunter has last minute specials and availability for prime Saturday dates! You'll want to snatch these dates up before they're gone!
* Saturday, May 1st, 2021
* Saturday, May 8th, 2021
* Saturdays in July and August 2021
* Saturday, October 9th, 2021

Additional dates and specials are available upon request by contacting the special events department at www.huntermuseum.org/rental-app

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Though this artwork from the Hunter’s collection may look like a children’s pop up book at first glance, don't be fooled. Kara Walker's book "A Curious Interpretation of the Wit of a Negress in Troubled Times" tells a serious tale of contemporary racism and gender discrimination.

In it, the female main character is emancipated only to discover that freedom is a fable. Walker's allegory addresses both the past and present stereotypes and challenges facing Black women. By using a literal book to tell the story, Walker turns the viewer into an active participant. Readers are invited to engage intimately with the challenging history of race relations in the U.S.

Kara Elizabeth Walker (b. 1969). “Freedom: A Fable (A Curious Interpretation of the Wit of a Negress in Troubled Times with Illustrations),” 1997. Book, edition of 4000. Gift of Cleve Scarbrough, 1998.1

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We picked a bouquet of flowers for our collage crush, @themintmuseum. Happy Valentine’s!

Your admirer,
Hunter Museum

#MuseumLoveLetter

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Art is up for interpretation, and everyone has their own story to tell.

Escape the house (and the cold) and find a new story at the Hunter. Paper maps and guides are now available to aid your exploration.

Photo from Brittany Burris Photography @brittany_burris_photography
Harriet Whitney Frishmuth (1880 - 1980). “Crest of the Wave,” 1926. Bronze. 66 x 16 x 15 in. Gift of Mr. and Mrs. Cartter Lupton. 1965.4.2. East Wing, Gallery, 12

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“I was trained traditionally as a painter, but I find paint to be an incredibly burdensome tradition. So I’ve been essentially painting with things that aren’t paint. My big artistic theme is the mingling of the sacred and the profane, the trashy and the beautiful.

‘Ghost Orchid Plastic Nebula’ is inspired by both the psychedelic ‘flower power’ aesthetic of the 1960s as well as ‘science’ photos of space and other natural phenomena. The composition recalls a starburst or nebula, the cloud of dust thrown out by the explosion of a dying star, bursting with plant imagery. Many of the flora, like the fantastical ghost orchid which is found throughout the painting, are endangered or extinct in the wild, their natural habitats threatened by human impact.”
—Sheila Gallagher

Sheila Gallagher, American, b. 1966. “Ghost Orchid Plastic Nebula.” Melted plastic on armature. 72.5 x 65.25 x 3.875 in. The Mint Museum, Charlotte, NC. Museum purchase with funds provided by Wells Fargo. 2018.48

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Join us in-person or virtually next week for a creative collage class! Spend the evening making a colorful collage inspired by art in the Hunter’s special exhibition “Under Construction: Collage from The Mint Museum.” Visit our bio link to register.

#ChattanoogaFun

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In lieu of the Inauguration Day congressional luncheon, First Lady Jill Biden and Sen. Roy Blunt presented President Joe Biden with a large painting by Robert S. Duncanson, on loan from the Smithsonian Museum.

Robert Duncanson was one of the very few African American artists who became a well known painter in the 1800s. He completed the painting now in the Hunter’s collection as the abolitionist movement was reaching its height. Duncanson supported the movement in a variety of ways. While there does not seem to be any reference to the anti-slavery cause in this painting, he inserted subtle messages in other landscapes. For example, he included African American figures in some scenes. At other times, Duncanson chose to paint a scene from a literary work which reflected his yearning for a society of peace and prosperity for all.

Robert Seldon Duncanson (1821-1872). “Landscape,” 1851, oil on canvas. Museum purchase.

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“Under Construction: Collage from The Mint Museum” is now open! Visit this weekend and explore the colorful world of collage.

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The interactives in the East Wing are ready for you! Play with magnetized pieces to create your own Robert Rauschenberg-inspired combine (as the artist called his large-scale collages) or an assemblage sculpture like Louise Nevelson.

Pieces are cleaned and sanitized regularly by museum staff.

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These prints are part of a series of 24 prints created by artist Jennifer Bartlett. Each represents an hour of the day and a view from Bartlett’s home and studio in Manhattan. (Yep, that pool is from the artist’s New York home). The grid structure is methodical. In each of the prints, the elements add up to the number 60. Seemingly random artifacts of daily life tease us into making up a story about the scene we’ve found there.

Want more 24-hour fun? Check out "The Clock" by Christian Marclay, a day-long video drawn from film clips. It's a mesmerizing way to fill a day of social distancing when you’ve run through your Netflix queue. Link in bio.

Jennifer Bartlett (b. 1941), "5 a.m. from Air: 24 Hours," "5 p.m. from Air: 24 Hours," "6 p.m. from Air: 24 Hours," 1994. Color etching with sugarlift, aquatint, drypoint and
scraping (printed on Twinrocker hand made paper), 13/65. Museum purchase

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When no one else is wearing a mask 😷 #BernieSanders

Francis Luis Mora (1874-1940) "An Out of Town Trolley," 1916. Oil on canvas. Gift of Mr. and Mrs. Scott L. Probasco, Jr., In Honor of Ruth Holmberg. 2006.2

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“Under Construction: Collage from The Mint Museum” opens a week from today! This exhibition is a journey through the modern history of collage and its impact on art. Learn all about it next week during Virtual Art Wise with Dr. Jonathan Stuhlman, The Mint Museum’s Senior Curator of American Art. You don’t want to miss it: link in bio.

Iruka Maria Toro. The Invisible Life of Small Things, 2011, acrylic paint. Museum Purchase: Funds provided by an Anonymous Donor. 2013.56. Collection of The Mint Museum, Charlotte, NC. © Cristina Toro

Eva Pennink, (1911 – 2008), Untitled (Figures and Record Player). Paper Collage. Anonymous Donor. 1980.242.2

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It’s #MuseumSelfie day! Our guests are a beautiful part of the art at the Hunter. Join the trend and tag us in your favorite photos! 📸

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“True compassion is more than flinging a coin to a beggar; it comes to see that an edifice which produces beggars needs restructuring.”

Dr. Martin Luther King Jr.

Honor Martin Luther King Jr. Day by checking out our recommended reading list, or register for the Urban League of Chattanooga’s MLK Day Youth Empowerment Experience today at 3 pm.
Link in bio.

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Support Chattanooga's Black entrepreneurs and creatives this year by shopping Black-owned businesses in Chattanooga. We’ve compiled a list to help you get started. Link in bio.

P.S. We miss seeing these smiling faces in person at the Hunter!

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Since spring 2020, the Hunter has been distributing Art Packs to Hamilton County students. The Art Packs are full of activities and supplies for students, and come in both English and Spanish.

Consider supporting our mission to connect people of all backgrounds to creativity, knowledge, and ideas by donating to our Propel Past Covid campaign, where every dollar is matched. Link in bio.

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Did you know that Yellow Wave took the artist more than a year to complete? Pop culture, art historical references, and icons from East and West collide in Jiha Moon’s work. The artist layers materials and metaphors to upend stereotypes and cultural assumptions.

Traditional Korean Hanji mulberry paper creates the foundation of this piece. Moon uses a Korean fan shape, exaggerated at times to form a heart or a peach. Peaches are an auspicious fruit in Korean cultural lore, as well as a reference to Moon’s current home state of Georgia.

Yellow Wave is part of a series exploring the exoticism of both Eastern and Western cultures. As a Korean woman, Moon finds blond hair to be ‘exotic.' Golden tresses weave through the artwork, and landscapes, dragons, Korean text, and fortune cookies intermix in the layered construction.

Jiha Moon (b. 1973), “Yellow Wave,” 2013. Ink, acrylic, embroidery patches, glitter, stickers, collaged prints on hanji paper. Museum purchase with funds contributed from Spectrum 2014. Courtesy of the artist.

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This weekend is your last chance to see “The F Word: We Mean Female!” Say farewell to your favorite pieces before January 11.

#WeMeanFemale

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What are your hopes, dreams, and goals for the New Year? Comment below with an emoji to describe it – or draw/paint/sculpt them and tag us in a picture!

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After her father was imprisoned for being in the Chinese Nationalist party, artist Hung Liu was sent to live with her grandmother. This is where her art training began. But soon after the Cultural Revolution began, she was sent to be “reeducated” in the Beijing countryside for four years. She secretly took photographs of the farmers there, some of which served as an inspiration for her work. (See the first photo.)

After coming to the U.S. in 1984, Liu dug further into archives of Chinese history. She found a book of images of young women, each with a floral pseudonym. Scholars suggest that books like these were used to sell women from poor homes as prostitutes to male clients. Liu has created several works using these women’s photos (see second photo). The series, titled ‘Wildflower,’ references both the pseudonyms and the resiliency of wildflowers.

“The F Word: We Mean Female!” closes on January 10. Make plans to see these artworks before they go off view.

Hun Liu (b. 1948), “Pullman,” 2004. Oil on canvas. Museum purchase.

Hung Liu (b. 1948), “Wildflower,“ 1999, lithograph, 12/20. Purchased with funds donated by friends in honor of MaryAnna Thomison.

#YearOfFemaleArtists #ThroughHerEyes #WeMeanFemale #FeministFriday

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The Hunter will be closed Christmas Eve, Christmas Day, and New Year’s Day, as well as closing early on New Year’s Eve. We wish you and yours a happy and healthy holiday!

This awesome photo was taken by Roberto Venegas.

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Can you spot something new here?
William Merritt Chase's “Apprentice” is on loan to us and is now on view in our Impressionist gallery. Beyond the use of loose brushstrokes, this work isn't easily associated with the Impressionist style, but it represents early steps towards American impressionism, which was often grittier than the European style. Chase's earlier works, like this painting, reflect this darker style, but his later works became much more recognizable as Impressionist. Stop by and take a selfie with the Apprentice!

William Merritt Chase (1849-1916), "Apprentice," 1875. Oil on canvas.On loan from a private collection, Courtesy of Susan Nelly, The Villa America Fine Art and Debra Force Fine Art, New York, 16.20

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Have you visited Virtual Hunter recently? The museum’s web portal full of art activities, learning resources, and videos recently won an award from the Lookout chapter of the Public Relations Society of America. Check out Virtual Hunter in our bio link!

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Let’s keep a good thing going.

Support for cultural institutions is critical at a time like this, and the Hunter is no exception. Donate now to support everything you love about the Hunter, and your gift will be matched, dollar for dollar. Link in bio.

3rd photo: Lesley Dill [born 1950], “Rise”, 2006-2007, Laminated fabric, hand-dyed cotton, paper, metal, silk, organza with cotton, Dimensions vary, Gift of Lesley Dill, 2015.6

Last photo: Randolph Rogers (1825-1892), “Ruth Gleaning,” 1851. White marble. Museum purchase.

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It may seem like a long ways away, but January will be here before you know it. Start the year off right on January 7 with a virtual Art Wise artist talk. Ashley V. Blalock, who will be designing a custom installation in the museum’s mansion staircase, will share the thoughts and processes behind her work. Link in bio. #FeministFriday #YearOfFemaleArtists #ThroughHerEyes

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Join us for artful yoga this Sunday at 1:30pm. Class starts with a discussion, then the art-inspired practice begins. 🧘🏽‍♂️🧘🏿‍♀️🧘🏻 Masks and physical distancing are required.

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The Hunter is many things to many people. For Martha Mackey, the Hunter Museum is a transformational education experience.

We’re excited to share that every donation made to our Propel Past Covid fund will be matched, up to $150,000. No amount is too small! Donate now to support what you love about the Hunter. Link in bio. #PropelPastCovid

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Made up of several panels, and using real objects such as wings, an oar, and fabric, this work doesn’t seem to have a central focus. Artist Robert Rauschenberg called these non-traditional arrangements Combines. His stream-of-consciousness approach and use of unusual materials set him apart from other artists of this time. He also used a commercial printing process. In doing so, he blurred the distinctions between ‘fine art’ and everyday life. And by allowing chance to determine the placement of these objects, he left the interpretation of the piece to you, the viewer. He underscores this idea by incorporating a mirror into the screen.

If you were to make a Combine, what would you put in it?

Robert Rauschenberg (1925-2008), “Opal Reunion,” 1976, mixed media combine, 6 panels. Gift of the Benwood Foundation, Mr. and Mrs. Joseph H. Davenport, Jr., Ruth S. and A. William Holmberg, and Mr. and Mrs. Olan Mills II

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Like many arts organizations, the Hunter has been adversely affected by the pandemic. We’re launching a Propel Past Covid campaign to help sustain the museum through this difficult time. Donate now to support everything you love about the Hunter, and please consider sharing this post. Learn more in our bio link. #PropelPastCovid

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Shop small tomorrow at the Hunter Museum Store from 10am-5pm. Museum members get 10% off! No admission necessary.

*Please note that there are capacity limits at the Museum Store. #ShopSmallChattanooga #ShopSmallChatt

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Art Bridges has been a huge supporter of the Hunter Museum, especially in the past year. Through their sponsorship of Virtual Hunter, artwork loans, outreach, new equipment, programs, and more, their support has helped the Hunter to continue engaging with and reaching our community -- even when the museum was closed. Thank you @artbridgesfoundation!

Glenn Ligon (b. 1960). "Untitled (I Am Somebody)," 1991. Oil stick, gesso and graphite on wood. 80 x 30 inches. On loan from Art Bridges. On view in the Mansion.

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A 1961 graduate from Vassar College, Nancy Graves was the youngest person yet chosen for a solo exhibition at the Whitney Museum of Art. During her career, she created a variety of sculptures, paintings, drawings, watercolors, and prints. Graves often made use of her own earlier artwork. "Canoptic Prestidigitation," an exploration of texture, color, and pattern, is one such piece.

Nancy Graves (1939 - 1995), “Canoptic Prestidigitation,” 1990, lithograph printed from eighteen aluminum plates, in twenty-three colors, with chiné colle and applied cast paper piece, 11/40. Museum purchase.

#ThroughHerEyes #YearOfFemaleArtists #WeMeanFemale #FeministFriday

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Don’t miss Art Wise: In the Studio with Lesley Dill this Thursday at 6pm. Free Zoom link in our bio.

Lesley Dill (b. 1950), "White Threaded Poem Girl," 1996. Photo silkscreen, oil paint, and thread on tea-stained silk. Museum purchase with contributions from Spectrum 2006.

Lesley Dill [born 1950], “Rise”, 2006-2007, Laminated fabric, hand-dyed cotton, paper, metal, silk, organza with cotton, Dimensions vary, Gift of Lesley Dill, 2015.6

#YearOfFemaleArtists #ThroughHerEyes #WeMeanFemale #MuseumFromHome

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Here's our biggest thank you to everyone who supported Off the Wall! Your support is critical to ensuring that the Hunter Museum can continue serving our community.

#OffTheWall #HunterOffTheWall #SupportTheHunter

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In honor of Kamala Harris's historic election and our continuing celebration of the 100th anniversary of women's suffrage in the United States, here are two works by female artists who share the next Vice President's heritage.

Indian American artist Surabhi Saraf uses video, music and choreography to examine the traditional roles of women in the domestic sphere. African American artist, Lois Maillou Jones, who taught at Harris' alma mater, Howard University, celebrated women through her multilayered paintings that drew upon international influences ranging from Haiti to Paris to the African continent.

Come explore these and many other works by strong women everyday at the Hunter!

Surabhi Saraf (born 1983), “Fold" [detail], 2010. 1080p high definition video, 2/5. Museum purchase.

Loïs Mailou Jones (1905-1998), "Damballah" [detail], 1980, acrylic on canvas. Museum purchase.

#ThroughHerEyes #YearOfFemaleArtists #WeMeanFemale

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Join us Thursday, November 19 to meet Lesley Dill in her studio (virtually, of course!). Register for free in our bio.

#YearOfFemaleArtists #ThroughHerEyes #WeMeanFemale #FeministFriday

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Find out what happens next tonight at 7:30! Click the link in our bio to watch Off the Wall, the Hunter’s virtual fundraising event, launching tonight.

#HunterOffTheWall #HunterMuseum #HunterMuseumOfAmericanArt #SupportHunterMuseum

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Are you ready for Off the Wall Thursday night at 7:30? These stunning artworks are still up for grabs, along with chef dinners, classes, private tours, nights out, and vacation packages. Support the Hunter while treating yourself. Link in bio.

#HunterOffTheWall #HunterMuseum #HunterMuseumOfAmericanArt #SupportHunterMuseum

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Sibyelle Peretti’s series “Silent Children" is inspired by true accounts of feral children. Victor of Aveyron, the subject here, was probably about 12 years old when he was found in the woods in France. Details vary, because he was romanticized, analyzed, and mythologized, all in a colonialist context. Unlike other invented stories of feral children, we do have evidence of Victor’s existence and his survival living on his own in nature.

Sibylle Peretti (born 1964), “Victor,” 2009. Paper, oil, gouache, pencil, photograph on acrylic sheet. Museum purchase with contributions from Spectrum 2011.

#ThroughHerEyes #YearOfFemaleArtists #WeMeanFemale

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Meet artist Lesley Dill in her studio, via Zoom, on Thursday, November 19. Dill will talk about her work and process, and you’ll be able to ask her questions and see her studio. We’re thrilled to offer this rare opportunity free of charge to the public. Link in bio.

#ThroughHerEyes #YearOfFemaleArtists #WeMeanFemale #NoogaToday

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The Hunter’s Off the Wall auction closes in just over a week! Items are going quickly, so check out the auction now in our bio link.

#HunterOffTheWall #HunterMuseum #HunterMuseumOfAmericanArt #SupportHunterMuseum #NoogaToday

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Today we celebrate our civic rights, and all who are ensuring those rights. We’re closed on Tuesdays and Wednesdays, but we invite our entire community to visit the Hunter’s galleries for reflection and renewal the rest of the week. You can also enjoy the permanent collection for free from 4-8pm this Thursday.

Roy Lichtenstein (1923 - 1997), “Untitled (from the Inaugural Portfolio),” 1977, Serigraph, AP 15/20. Gift of Frank E. Fowler and funds provided in part by the National Endowment for the Arts, a Federal agency.

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We’ve got some amazing auction items for you golf and whiskey aficionados out there. Check out the lineup:

🗝 Jack Daniel’s Lynchburg Distillery Behind the Scenes Experience

🏌🏽‍♂️ Sweetens Cove Experience with Golf and Bourbon

🧊 Lot of Small Batch & Exclusive Whiskeys, with swag from @localsonlygiftsandgoods

🥃 Exclusive “Select Your Own Barrel” George Dickel Experience

Link to bid in bio.

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We’ve got an amazing lineup of local chefs and restaurants participating in our auction this year! From chef dinners to cooking classes, date nights to brunches, the only hard part is picking one.

#HunterOffTheWall #HunterMuseum #HunterMuseumOfAmericanArt #SupportHunterMuseum

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The Hunter Museum received three awards from the Southeastern Museums Conference this year! "Blak Origin Moment" placed silver in the exhibition category. The interactive screen with Glenn Ligon’s "Untitled (I Am Somebody)" and the social media campaign highlighting the same piece both placed silver as well.

Glenn Ligon (b. 1960). "Untitled (I Am Somebody)," 1991. Oil stick, gesso and graphite on wood. 80 x 30 inches. On loan from Art Bridges. On view in the Mansion.

@semcdirect @nwandersonart @glennligon

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Off the Wall is LIVE! Click the link in our bio to check out the art, experiences, commissions, packages and more available.

Pictured:
Chef Dinner with Erik Niel from Easy Bistro and Main Street Meats

Couple’s Staycation at the Edwin Hotel

Adventure Package with Lookout Mountain Flight Park

Jack Daniel’s Distillery Tour

Wayne Wu, b. 1935, Masquerade, 1999.

#HunterOffTheWall #HunterMuseum #HunterMuseumOfAmericanArt #SupportHunterMuseum

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Tomorrow night: Hear women poets from Black, Latinx, Cherokee, Pacific Islander, European, and Baha’i backgrounds speak in “The F Word: We Mean Female!” galleries. Blending history, current events, ancient wisdom, and personal experiences, it’s a night you won’t want to miss. Link in bio.

Generous support for this project is provided by Art Bridges Foundation @artbridgesfoundation

#WeMeanFemale #WomensVoices #YearOfFemaleArtists #ThroughHerEyes

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Early voting has begun in Tennessee! Exercise your right to vote and visit elect.hamiltontn.gov to find your polling place in Hamilton County.

These cool stamps celebrating women’s right to vote are available at USPS.com.

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This could be you!
You may have seen this portrait at the Hunter before. In fact, it’s on view in “The F Word: We Mean Female!” right now.

This fall, you can bid for a personally commissioned piece by Melissa Hefferlin in our online auction fundraiser, Off the Wall. Learn more about it in our bio link.

Melissa Hefferlin (b. 1968), "Taking Tea," 2006. Oil on linen. Anonymous gift.

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Kay Walkingstick, one of the best known Cherokee painters today, was not involved with the Cherokee community until she was a young adult. As a child she lived in a primarily white community with her mother, who encouraged her to be proud of her heritage. As she got older, she sought to learn more and ultimately dedicated her life to celebrating Indigenous traditions and their lands.

“My present paintings of mountains and sea are vistas of memory — our America the beautiful. They are meant to glorify our land and honor those people who first lived upon it.”

#IndigenousPeoplesDay

Kay Walkingstick (b. 1935), "We’re Still Dancing / Taos Variation," 2006. Oil on wood panel, diptych. Museum purchase.

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Our annual fall fundraiser is going to look a little different this year! We’re excited to announce Off The Wall, our first virtual fundraising event. The best news? Because it’s online, all of our friends can join us. 🤗 More details coming soon.

Photo by @ian_shoe

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Chief Curator Nandini Makrandi is a panelist for the @midsouthsculpture Vision 2020 grant. If you know someone who is a BIPOC sculptor, let them know about this great opportunity!

The other two panelists are Dr. Kimberli Gant (the McKinnon Curator of Modern & Contemporary Art at the Chrysler Museum of Art) and Miranda Kyle (Arts & Culture Program Manager for the Atlanta BeltLine).

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Today is your last day to register to vote in Tennessee! Visit PlanYourVote.org to make sure you’re on track.

Image by #hankwillistomas #planyourvote @hankwillisthomas @PlanYourVote @votedotorg #VoteDotOrg #Vote #VoteReady #Vote2020

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The deadline to register to vote in Tennessee is October 5. You heard that right -- you’ve got five days left to register. Why not just do it now?

#planyourvote @jennyholzerstudio @planyourvote @votedotorg #VoteDotOrg #Vote #VoteReady #Vote2020

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Did you catch the September issue of Vanity Fair? Artist Hank Willis Thomas’ artwork “From Cain't See in the Morning' till Cain't See at Night” was featured alongside an article by Bomani Jones about college football players and the rights they often do not have. The photograph is one of the Hunter’s recent acquisitions, and it invites the viewer to consider the similarities between enslavement and the structure of today’s athletics.

Hank Willis Thomas (b. 1976), “From Cain’t See in the Mornin’ til Cain’t See at Night” [detail], 2011. Digital c-print, edition M3 of 5, with 1 artist proof. Museum purchase, 2019.2

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Have you seen this painting in the Creative Discovery Museum? Did you know it’s actually a part of the Hunter’s collection?

The Creative Discovery Museum @cdmfun recently released a cheeky 8-minute podcast about the painting and its artist, Jack Beal. Click the link in our bio to listen.

Jack Beal (1931-2013), “The Painting Lesson,” 1980-1981, oil on canvas. Gift of Mr. and Mrs. John T. Lupton

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The Hunter Museum Fence by Albert Paley has been moved to its new home!

The museum is undergoing some necessary construction, and this sculpture needed to be moved. We love its new location! What do you think?

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Did you know that a Passport level membership gives you access to over 1,000 cultural institutions across North America? From Canada to Mexico, you’ll never run out of places to see.

1. Birmingham Museum of Art in Birmingham, AL

2. Frist Art Museum in Nashville, TN

3. High Museum of Art in Atlanta, GA

4. Crystal Bridges Museum of American Art in Bentonville, AR

5. Georgia O’Keeffe Museum in Santa Fe, NM

6. The Studio Museum in Harlem in New York City, NY

7. The National Museum of Women in the Arts in Washington, D.C.

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Looking for an art activity to do with your furry BFF? You’re in luck: there’s art all around Chattanooga, and we’ve built a guide just for you. So get your pup ready for a W-A-L-K and sniff out some great sculptures around town. 🐶 Link in bio!

@bestboybenson @aisla.and.atlas

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Our new exhibition, “Depicting the Invisible,” includes art that explores difficult subjects like war and PTSD.

One small thing you can do to help support those who suffer from PTSD is purchase Healing PTSD stamps from the United States Postal Service this fall.

🌱 Susan J. Barron (b. 1958). "DTI Craig," 2018. Mixed media on canvas. On loan from artist. © Susan J. Barron, 2020

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According to the Texas Medical Association, visiting a museum is safer than attending a backyard BBQ, working a week in an office, or going to a beach.

When you visit the Hunter, put your mask on and we’ll open the door for you. Then, you’ll either scan your digital ticket or purchase one at the desk. Our maps and self-guided tours are now digital and easy to read on your phone.

We want you to feel safe while you take in the art. And if you don’t feel comfortable leaving the house just yet, we’re still here for you 24/7 online at Virtual Hunter.

📸 @anushkarefai, Girls In Leadership

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Do you think these were painted by the same artist?

“Girl with Bird and Cage” is the oldest painting in the Hunter’s collection. Although a great deal of research has been done on the painting, little is known about the painter or sitter. Some experts have suggested that Massachusetts portrait artist Joseph Badger painted it.

🐦 Unknown, “Girl with Bird and Cage,” circa 1735-1740. Oil on canvas. Gift of Mr. and Mrs. Harold Cash

🐿 Joseph Badger (1707/8-1765), “Rebecca Orne,” Mrs. Joseph Cabot, 1757. Worcester Art Museum, Eliza S. Paine Fund in memory of William R. and Frances T.C. Paine

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Did you know that the resources we give to teachers are also available to students doing school online this year?

We can help you organize museum tours, virtual tours, and even integrate art into your child’s curriculum. Click the bio link to get started.

#VirtualSchooling #LearnAtHome

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What has kept you busy this summer?

Museum volunteer Kin Koos started a "scarf" on April 10, vowing to keep knitting until the pandemic is over. On August 21, it measured 33 yards long. 🧶

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Dresses and vessels are often used as metaphors for the female body. Artist Beverly Semmes uses them both to further investigate her interest in feminism. Neither of these are functional or typical.

The pot is lumpy and somewhat garishly colored, and the ‘dresses’ are rather incomplete or too large. Imagine the dress or the pot as a stand in for a woman. If so, the ‘dresses’ and ‘pot’ question the idea of beauty as the major expectation of women in our society.

Beverly Semmes (b. 1958). ‘4’33”,’ 2011. Velvet, tulle and ceramic. Museum purchase.

#ThroughHerEyes #YearOfFemaleArtists #WeMeanFemale #FeministFriday

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Throwback Thursday is back! Visit this Thursday from 4-8pm for discounted rates. You’ll get to see “Indigo,” “Depicting the Invisible,” and “The F Word: We Mean Female!,” all featuring female artists.

Baggs McKelvey, “Indigo,” 2019-2020. Denim. Dimensions vary. Courtesy of the artist.

A portrait of Renoula A. Trotter from Susan J. Barron’s “Depicting the Invisible: A Portrait Series of Veterans Struggling with PTSD.” [detail] (Susan J. Barron), © Susan J. Barron, 2020

Nancy Graves (1939 - 1995), “Canoptic Prestidigitation” [detail], 1990. Lithograph printed from eighteen aluminum plates, in twenty-three colors, with chiné colle and applied cast paper piece, 11/40. Museum purchase.

#WeMeanFemale #ThroughHerEyes #YearOfFemaleArtists

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On this day 100 years ago, Tennessee became the last state to ratify the 19th amendment, granting some women the right to vote.

“The F Word: We Mean Female!” takes place this year in recognition of that victory. We’re acknowledging the women who worked for the vote, and continued to work until every woman was able to exercise that right. We’re celebrating the women who continue to work for equality today.

Visit “The F Word: We Mean Female!” to learn about female artists whose work touches on history, identity, and equality.

Carrie Mae Weems (b. 1953), “Not Manet’s Type” [detail], 2001. Photolithograph, 17/40. Museum purchase.

#WeMeanFemale #ThroughHerEyes #YearOfFemaleArtists #SuffrageCentennial

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This painting is titled “Summer in the Tennessee Valley.” What kind of fish do you think they’ll catch in this idyllic pond?

Support the local arts this fall by trading your standard license plate for an artsy one. There’s even a plate for the fishing enthusiasts. 🙂

William C. A. Frerichs (1829 - 1905), “Summer in the Tennessee Valley,” circa 1860, oil on canvas. Gift of John T. and Alice Lupton.

#TennesseeArtsCommission

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You’ve all been waiting for it: come see “The F Word: We Mean Female!” now on view!

#WeMeanFemale #FeministFriday #ThroughHerEyes #YearOfFemaleArtists

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Members, "The F Word: We Mean Female!" opens to you tomorrow! Become a member today to get access to our members-only tours.

Isabel Case Borgatta (1921 - 2017), "Jaguar Woman," 1992, grey granite, 27 1/2 × 16 × 12 inches, Gift of Francesca Borgatta, Mia Borgatta and Paola Borgatta, 2019.22, Photograph by Bruce M. White, © 2017

#WeMeanFemale

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This Wednesday, learn about artists who give voice to the invisible in our weekly Facebook Live at 2pm.

A portrait of Renoula A. Trotter from Susan J. Barron’s “Depicting the Invisible: A Portrait Series of Veterans Struggling with PTSD.” (Susan J. Barron), © Susan J. Barron, 2020

#ThroughHerEyes #YearOfFemaleArtists #ArtBreak #MuseumFromHome

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What’s happening here?

“Fold” is a grid of 96 small videos showing artist Surabhi Saraf folding laundry. In it, the artist transforms the domestic "female activity" of folding laundry into a multifaceted, complex choreographed pattern that engages the viewer. By doing this, Saraf creates layers of structure and ever-evolving patterns.

See the rest in “The F Word: We Mean Female!” which opens to the public August 21st.

Surabhi Saraf (born 1983), “Fold,” 2010, 1080p high definition video, 2/5, new media. Museum purchase.

#YearOfFemaleArtists #ThroughHerEyes #FeministFriday

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The curatorial team is hard at work getting ready for “The F Word: We Mean Female!”

Become a member to get access to virtual and gallery tours on the members-only opening, Thursday, August 20th. Link in bio ✨

Lesley Dill [born 1950], “Rise”, 2006-2007, Laminated fabric, hand-dyed cotton, paper, metal, silk, organza with cotton, Dimensions vary, Gift of Lesley Dill.

#ThroughHerEyes #YearOfFemaleArtists

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We’re so happy to see our docents back in the galleries! They’ve got their masks on and are getting ready to give gallery tours again. Visit our website to schedule a tour.

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The Hunter has been open to the public for two weeks now, and we’ve loved seeing all our visitors! Baggs McKelvey’s “Indigo” is on view now, inspired by this combine by Robert Rauschenberg.

📰 Robert Rauschenberg (1925-2008), “Opal Reunion,” 1976, mixed media combine, 6 panels. Gift of the Benwood Foundation, Mr. and Mrs. Joseph H. Davenport, Jr., Ruth S. and A. William Holmberg, and Mr. and Mrs. Olan Mills II

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“The F Word: We Mean Female” opens two weeks from today! See artworks that are rarely on view because of their size or delicate materials, including “Rise” by Lesley Dill, a life-size installation spanning 50 feet.

Lesley Dill [born 1950], “Rise”, 2006-2007, Laminated fabric, hand-dyed cotton, paper, metal, silk, organza with cotton, Dimensions vary, Gift of Lesley Dill, 2015.6

#YearOfFemaleArtists #ThroughHerEyes #WeMeanFemale #FeministFriday

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If you visited the museum last week, you may have noticed a bit of noise (by “a bit,” we mean a lot). That’s because the exquisite “Hunter Museum Fence” by Albert Raymond Paley is moving to a new location on the museum campus. 🏗

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In this untitled painting by Clementine Hunter, the person on the left does the laundry while the one on the right stirs a kettle of food. What is on the menu and what day is it?

For people in Louisiana, the answer is obvious: red beans and rice, and Monday. Self-taught artist Clementine Hunter lived and worked on Melrose Plantation in Natchitoches, Louisiana. Originally a cotton plantation, Melrose eventually became an artist colony, hosting both writers and painters. In Louisiana, Monday was typically laundry day. Without washing machines, laundry was washed by hand, which didn’t leave much time for elaborate meals. Red beans and rice, introduced by Haitians fleeing the slave rebellion, became a quick, traditional staple.

Clementine Hunter (1886 or 1887-1988), “Untitled,” circa 1970, acrylic on panel. Museum purchase.

#ThroughHerEyes #YearOfFemaleArtists

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When many of our summer vacations have been cancelled, enjoy this flight into the Big Apple. “Metropolitan Triptych,” by Yvonne Jacquette, is a bird's eye view of three entry points to LaGuardia Airport. Jacquette has painted many similar scenes, inspired by nighttime flights over cityscapes.

Yvonne Jacquette (b. 1934), “Metropolitan Triptych,” 2005. Pastel on black paper. Museum purchase with contributions from Spectrum 2010.

#FeministFriday #ThroughHerEyes #YearOfFemaleArtists

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Join us on Facebook Live tomorrow at 2pm for an #ArtBreak! Make an art-inspired bookmark to keep track of your summer reading.

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Events

April 1	Throwback Thursday
April 1	Art Wise with Radcliffe Bailey
April 7	Sensory Friendly Family Tour
April 8	Spring Break Drop-in Art Making
April 8	Dance: Under Construction

View all upcoming events